537 lines
17 KiB
Plaintext
537 lines
17 KiB
Plaintext
\version "2.24.3"
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\language "english"
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%#(set-global-staff-size 15)
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\header {
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title = "Die Sieben Wörte des Erlösers"
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subtitle = "Streichquartett"
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composer = "Joseph Haydn"
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opus = "Op. 51, Nr. 17"
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copyright = \markup { \fontsize #-8 "(p) 2026 - H.N.M. Dijkema - CC-BY-NC-SA-3.0 - Lilypond 2.24.3" }
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tagline = \markup { \fontsize #-8 "(p) 2026 - H.N.M. Dijkema - CC-BY-NC-SA-3.0 - Lilypond 2.24.3" }
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}
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\paper {
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#(set-paper-size "a4")
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% Add space for instrument names
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indent = 10\mm
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%page-count = 1
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%min-systems-per-page = #5
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%system-system-spacing.padding = #2 %fit staves closer together
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%system-system-spacing.stretchability = #20 %how flexible the spacing is
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}
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\layout {
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\context {
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\Voice
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\consists "Melody_engraver"
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%\consists "Ambitus_engraver"
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\override Stem.neutral-direction = #'()
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}
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}
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\include "lilypond-hd/functions.ly"
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\include "lilypond-hd/string-quartet.ly"
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fig = #(define-music-function
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(a b c)
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(ly:music? ly:music? ly:music?)
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#{ #(withDuration a 3 2) #(withDuration (flattenPitch a) 5 0) $b -. $c -. #}
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)
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fgg = #(define-music-function
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(a b)
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(ly:music? ly:music?)
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#{ #(withDuration a 4 1) #(withDuration b 5 0) #}
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)
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fggg = #(define-music-function
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(a b c d)
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(ly:music? ly:music? ly:music? ly:music?)
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#{ #(withDuration a 4 1) #(withDuration b 5 0) #(withDuration c 4 1) #(withDuration d 5 0) #}
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)
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fg = #(define-music-function
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(a b c)
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(ly:music? ly:music? ly:music?)
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#{ #(withDuration a 3 2)( #(withDuration b 5 0)) #(withDuration c 3 0)-. #}
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)
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fgfz = #(define-music-function
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(a b c)
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(ly:music? ly:music? ly:music?)
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#{ #(withDuration a 3 2)(\fz #(withDuration b 5 0)) #(withDuration c 3 0)-. #}
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)
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tfg = #(define-music-function
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(a b c)
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(ly:music? ly:music? ly:music?)
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#{ #(fgfz a b c) r8 r4 #}
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)
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global = {
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\key f \major
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\time 4/4
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\tempo "Maestoso ed Adagio" 8=72
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}
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introduzione = {
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\key f \major
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\time 4/4
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\tempo "Maestoso ed Adagio" 8=72
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}
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piece_introduzione = \makePiece "Introduzione"
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scriptum_introduzione = \makeScriptum ""
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sonataI = {
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\key bf \major
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\time 3/4
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\tempo "Largo" 8=80
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}
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piece_sonataI = \makePiece "Sonata I"
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scriptum_sonataI = \makeScriptum "Pater, dimitte illis, non enum sciunt, quid faciunt."
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scoreAViolinI_introduzione = \relative c'' {
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\introduzione
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% Muziek volgt hier.
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\relative c' {
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d4\ff \fig d' cs8 bf' r4 | a,, \fig g'' f8 d' r4 |
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f,,2\p( e4. \fgg fs g) | g4 r8 \fgg bf( a) a8-. r r \fgg bf'( a) | a8-. r r \fgg b,\fz( a) a16-.\p r g-. r f-. r e-. r |
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d4\f \fig d' cs8 bf' r4 |
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%7
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c,,4 ef'8.. ef32 d16 \rep 7 d'-.\ff |
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d8\fz( d32)( c bf a) \fr g16-. c8\fz( c32)( bf a g) \fr fs16-. |
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g8 \acciaccatura a g32( fs g a) \fr bf16-. <e,, cs'>-. r <f d'>-. r <a g'>-. r <a f'>-. r |
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%10
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<a e'>8 r f'16.(\fz d32) f16.(\fz d32) cs8 a' gs4( | a8) r8 f,16.(\fz d32) f16.(\fz d32) cs8 a' gs4( |
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a8) a,-. a-. a-. a2\fermata |
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\mark A
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f'4\p f'8..( e32) e8-. r8 r4 | c,4 bf''8..( a32) a8-. r r4 |
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f,4\f af'8..( f32) df4.( c8) |
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%16
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b8-. c-. r4 bf8\p( a) r4 | <f d'>8-.\f <f c'>-. r4 b2\p( |
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bf4.)( \stemDown a8) \stemNeutral fs( g b d) | f,!4( \acciaccatura a8 g8. f16) f4 r8. bf16\f |
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bf8 g16. bf'32 bf16-. g-. e-. bf-. a8-. a'-. r8. f16-.\p | f8\(( g,16-.) r32 d'-.\) d8\(( d,16-.) r32 bf'-.\) bf4( g8 e) |
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%22
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f\f <g bf>4\fz <f a>8 g <e d'>4\fz <f c'>8 | <g bf> b'4\sf a8 <bf, g'> r <g bf e> r | <f a f'>4 r4 r2 |
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af4\p df8..( c32) c8-.\f gf'-. r4 |
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af,4\p( a8.. bf32) bf8( f'-.) r8 bf,16.( a32) | a8( f'-.) r c16.( bf!32) bf8( f'-.) r8 bf,16.( a32) |
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%28
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a8( f'-.) r c16.(\fz b32) b8( g'-.) r b,16.\p( c32) |
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c8( g'-.) r c,16.( b32) b8( g'-.) r d16.(\fz cs32) | cs8( a'-.) r cs,16.\p( d32) d8( a'-.) r d16.\f( f32) |
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f8-. d-. bf!-. gs-. a4 \rep 2 {f16.\fz( d32)} |
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cs8 a' gs4( a8) r f,16.\fz( d32) f16.\fz( d32) |
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%33
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cs8 a' gs4( a8) a,-. a-. a-. | a1\fermata |
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\mark B
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d4\f d'8.. d32-. cs8-. bf'-. r4 | a,, g''8.. g32-. f8-. d'-. r4 |
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f,,2\p( e fs) g8( a bf a) | g( f e d) cs16 \rep 7 <a' a'>-.\f |
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%40
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g'8\fz( g32)( f e d) \fr cs16-. a'8\fz( a32)( g f e) \fr d16-. |
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bf'8\fz( a32)( g f ef) c'8\fz( bf32)( a g fs) d'8.\fz c16-.( bf-.\p a-. g-. f-.) |
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e!8 r16 f32( a) g16-.( f-. e-. d-.) cs8-. d-. r4 |
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%43
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\stemUp <a g'>8-.\f <d, a' f'> r8. \stemNeutral f16\p e8( bf' a cs,) |
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d4\fermata r8\fermata cs'16.\p( d32) d8( a'8-.) r8 ef16.( d32) | d8( bf'8-.) r f16.( e32) e8( cs'-.) r cs16.( d32) |
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d8-. gs,16.( a32) a8-. e16.( f32) f8-. r r cs,16.( d32) |
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%47
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d8-. r r8.. d'32 d8( e,16.) b'32 b8( a16.) cs,32 |
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d8\f g4\fz f8 e <g bf>4\fz <f a>8 | g <a g'>4\fz f'8 <g, bf! e> r <e cs'> r |
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r4 r8 cs'16.(\p d32) d8-. r r cs,16.( d32) |
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d8-.(\pp d d d) d2\fermata
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\bar "|."
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}
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\pageBreak
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}
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scoreAViolinI_sonataI = \relative c' {
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\sonataI
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% music here
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R2._"1" |
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\fg f'\f d bf r8 r4 | \fgfz bf' g ef8-. ef-.(\p ef-. ef-.) |
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\fgfz cs d d8-. r r d\p | c!4 ef4.\fz a,8\p | c4( bf8-.) r r4 |
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\tfg bf' g ef |
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\fgfz f d bf bf8[(\p a bf]) | b( c) r c( b c) | cs( d) r d( ef f) | f\fz( fs) g16( b, c d) \grace f!16( ef8)( c16 a) |
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c4( bf!8-.) r8 r4 | d4\f d,8\p \acciaccatura f ef8( d cs) | cs4( \fggg d)( cs d cs) d8-. r |
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d'4\f d,8\p( f! af b,!) | d4( \fggg c)( b c b) \fggg c( d c bf) |
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a!8( c) f4( f16) (e32 f g16[ f]) | \grace f16( e8)( d16 c) c4 r |
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\tfg bf' g e | \tfg g' e bf | bf'4.\f \grace { c32( bf a) } bf8( c df) | f,4\fz( e8-.) r r f\p |
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f4( e8-.) r8 r d-. | d[( cs)] c-. r r bf |
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bf4 a8( g bf e,) | f r g r e r |
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\mark A
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f4 r8 c''8( a f) | \grace { e32( f g) } f4( e!8-.) r d16( a') g32([ f e! d]) | d8( cs) c-. r r16 bf-.( bf-. bf-.) |
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%30
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\grace { a32( bf c) } bf4 a8( g d' e,) | f8 r g r e r | f2.~^\cresc f2\!~f8\< g\! |
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af2.\f f8([ af)] df(\p f df bf) | ef,2~\<\( ef16 f gf af\)\! | f8[(\f af)] df(\p f df bf) |
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af2~ af16( g! gf ef) | df2.~\pp df2 r4 | R2.^"1" |
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\tfg af'' f d!8 | \tfg bf' g ef8 | \tfg g f d | \tfg g ef c |
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%46
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c'4~\f c16(\p d32 ef d16[ c]) bf!( af g fs) | fs4( g8-.) r r c | c4( b8-.) r r af | \grace { g16( bf) } af4( g8-.) r r f |
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f4( e8) g( c, bf') | af( g f ef df c) |
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%52
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bf-. r af-. r e-. r | f4 r4 r4
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\tfg gf ef c8 | \tfg f ef bf | \fgfz df' bf gf8-. \slurUp gf-.(\p gf-. f-.) \slurNeutral | e4( ef d!) | c g'4.( bf,8) |
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%59
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\acciaccatura c bf4(\trill a8) c[( d ef]) | f4 r r |
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\tfg f' d bf
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\fgfz bf' g ef ef8-.\p( ef-. ef-.) |
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\fgfz cs d d r8 r d\p | c4 ef4.\fz a,8\p | c8( bf) r bf( a bf) | b( c) r c( b c)
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%67
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cs8( d) r d( c d) | f( ef) r ef( d ef) | g4( f) e8 ef~\f | ef16( d c g') bf,4 \acciaccatura d8 c8. bf16 | bf4 r r8 bf'8\p |
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bf4( a8-.) r r g-. | g( fs f) r r ef |
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%74
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ef4 d8( c ef a,) | bf r c r a r |
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\mark B
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bf4 r8 f'( d' bf) |
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\grace { a32( bf c) } bf4( a8-.) r8 \stemDown \tupletUp \times 4/6 { r16 g( a bf a g) } \stemNeutral \tupletNeutral |
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g8( fs f-.) r8 r16 ef-.( ef-. ef-.) |
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\grace { d32( ef f) } ef4 d8([ c)] g'\fz([ a,)] |
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%80
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bf8\p r c r a r | bf8[\cresc bf bf bf bf bf]\! | bf2~\< bf8 c8-.\! | df2.~\f df4( c8.) c32( d) d8.\trill\fz( c32 d) |
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ef2.~ ef4( d8.) d32( e) e8.\trill\fz( d32 e) | f4 r8 f8\p( e f) |
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%88
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fs8( g) r g( fs g) | gs( a) r a(\cresc gs a)\! | bf( b c d e16) c( a e) |
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\grace { d32( ef f) } ef2\f\fermata r4 |
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d2\p\fermata r4 | c8 r e r a, r | \rep 4 bf'2.:8 |
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%98
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bf4~\< bf16.( g32)\! bf16.\f( g32) f8 a, | bf4 r4 r4 |
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r4 af'16.\p( f32) d8-. r4 | r4 gf16.( ef32) a,!8-. r4 | f'16( d) bf-. bf-. d( bf) f-. f-. bf( f) d-. d-. | d8\pp r d r d r |
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<bf d>2\fermata r4
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\bar "|."
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}
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scoreAViolinII_introduzione = \relative c'' {
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\introduzione
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% Muziek volgt hier.
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\relative c' {
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d4\ff \fig <f a> <g bf>8 cs, r4 | a4 \fig <a' e'> <a f'>8 f r4 |
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d2.\p( cs8) c-.| <bf d> r r cs16.( d32) d8-. r r cs'16.( d32) | d8-. r r cs,16.(\f d32) d16-. r e-.\p r d-. r cs-. r |
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%6
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d4\f \fig <f a> <g bf>8 cs, r4 | c!4 <fs a>8.. <fs a>32 <g bf>4 r |
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\rep 4 <d bf'>16\ff <d bf'>4:16 \fr <fs a>16\fz \fr <ef c'> | \fr <d bf'> <d bf'>4:16 a'16 r a r e'! r d r |
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%10
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cs8 a8 gs4 a8 cs!16. e32 \rep 2 {f16.(\fz d32)} |
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cs8 r gs,4 a8 cs16. e32 \rep 2 {f16.(\fz e32)} |
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cs8 a-. a-. a-. a2\fermata |
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\mark A
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\rep 2 {a16-.(\p a-. a-. a-.)} \rep 8 bf | \rep 7
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%14
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bf g \rep 8 a | \rep 8 <af f'> af' \rep 7 af |
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af8-. g-. r4 f8\p( f) r4 | <f d'>8-.\f <f c'>-. r4 d2\p( | df4)( c d) r4 |
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%19
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a4( bf a) r |
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\rep 8 <g' b>16\f \stemUp <f a>8 <a f'> \stemNeutral r4 | d,4\p r4 e2 |
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<a, f'>8\f <g e'>4\fz <a f'>8 e' bf'4\fz a8 | g e'4\fz f8 d8 r <g, b e> r |
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\stemUp <f a f'>16\> \rep 7 f16 f\! \rep 7 f \stemNeutral
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%25
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\rep 8 f16 gf8-. <af, ef'>-.\f r4 | \rep 4 gf'16\p f f ef ef \rep 8 f |
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f2:16 f2:16 | \rep 8 f16 f2:16 | \rep 8 g16 g2:16 | \rep 8
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%30
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g16 \rep 4 a \rep 4 f | \rep 8 d\f cs8 a' gs4 |
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a8 cs16. e32 \rep 2 {f16.\fz( d32)} cs8 r4 gs,8 | a cs16.( e32) \rep 2 {f16.\fz( d32)} cs8 a a a
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%34
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a1\fermata |
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\mark B
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d4\f \fig <f a> <g b>8 cs, r4 | a4 \fig <a' e'> <a f'>8 f r4 |
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d2.\p( cs4 | c!2) d8( c bf c) | d2( cs16) \rep 7 a'-.\f |
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\rep 4 <e cs>-. <e cs>-. bf'-. a-. g-. <a, f'>-. \rep 4 <a f'>-. f'-. g-. a-. |
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%41
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\rep 4 <ef bf'>\fz \rep 4 <a, fs'>\fz <g g'>4 r | bf\p r bf'8-. a-. r4 |
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<a e'>8-.\f <d, a' f'> r8. f16\p e8( bf' a cs,) | d4\fermata r8\fermata r8 \rep 8 c'16\p | \rep 8 bf bf2:16 |
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a8 r8 r8 cs16.( d32) d8-. r8 r8 g,,16.( a32) |
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%47
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a8 r8 r8 a16.( bf32) bf8-. r8 cs r | d8\f <cs e>4\fz d8 cs8 cs4\fz d8 |
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e8 cs'4\fz d8 <g, bf! e>8 r <e cs'!> r |
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r bf'16.\p( a32) \autoBeamOff a8-. \autoBeamOn g16.( f32) \autoBeamOff f8-. \autoBeamOn g16.( f32) \autoBeamOff f8 \autoBeamOn e16.( d32) |
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d8-.(\pp d-. d-. d-.) d2\fermata
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\bar "|."
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}
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\pageBreak
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}
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sonpI = #(define-scheme-function
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(n)
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(ly:music?)
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(let ((m (withDuration n 2 1))
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(nn (withDuration (flattenPitch (rmtext n)) 3 0)))
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#{ $m \fz $nn -.\p( $nn -. $nn -.) #}
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)
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)
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scoreAViolinII_sonataI = \relative c'' {
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\sonataI
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% Muziek volgt hier.
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\relative c' {
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R2._"1" | \rep 3 <d f>8\f \rep 3 <d f>\p | \rep 3 <g, ef'>\f g'\p c[ a] | \fgfz a bf bf d,\p d f | g4 <g, ef'>\fz <a ef'>8 <a ef'>\p |
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\set doubleSlurs = ##t
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<a ef'>4( <bf d>8)
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\set doubleSlurs = ##f
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d( ef f) |
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\set doubleSlurs = ##t
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<g, e'>4\fz( <bf g'>8)
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\set doubleSlurs = ##f
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g'8(\p bf g) |
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\set doubleSlurs = ##t
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<bf, d>4\fz( <d f>8)
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\set doubleSlurs = ##f
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d(\p c d) |
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ef4 r8 ef( d ef) | e( f) r bf( a af) | af4\fz( g8-.) r a,8( c16 e) | e4( d8-.) r8 r4 |
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a4.\f bf8\p bf bf | a2:8 a8-. r | af\f af \rep 4 af\p | g2.:8 |
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%17
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a8 c c c b[ b] | c4 r r | <g e'>\fz r r | <bf! e>\fz r r | df8-.\f f-. f-. f( ef! df) | <bf g'>4 r8 c'-.\p c-. c-. |
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\rep 4 bf8 a! a | \rep 4 g f f | \rep 3 e d d c |
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%26
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c8 r d r bf r |
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\mark A
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a \rep 5 c' | bf2:8 a8 a | g2:8 f8 f | \rep 3 e8 d d c | c r d r bf r | af r r g(^\cresc af\! a) | b b b(\< c df) df\! |
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%34
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<df ef>2:8\f <c ef>8 <c ef> | <df f>4 r4 r8 <df ef>\p | <df ef>2:8\< <c ef>8 <c ef>\! | <df f>4\f r4 r8 <df ef>8\p |
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<bf ef>2:8 <c ef>8 <c ef> |
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<df f>8-.\pp bf( af bf af bf) | af2 r4 |
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R2.^"1" |
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\sonpI <f'd'> | \sonpI <g ef'>
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%44
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|
\sonpI <f d'> | \sonpI <ef c'> | fs8\f fs fs r r c'\p |
|
|
c4( b8) g'-. g-. g-. | f2:8 ef8 ef | d2:8 c8 c8 | bf bf bf e,( f g) |
|
|
c( bf af gf f ef) | f-. r f-. r a,-. r |
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%53
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|
af4 r r | \sonpI <a ef'> | \sonpI df | bf4.\fz bf8\p(-. bf-. c-.) | df4( c bf) | bf2. |
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}
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}
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scoreAViola_introduzione = \relative c' {
|
|
\introduzione
|
|
% Muziek volgt hier.
|
|
<a f>4\ff \fig d e8 g r4 | a4 cs8.. cs32 d8 d, r4 |
|
|
r8 d\p( bf f g gs a d) | g,4 r8 e'16.( f32) f8-. r r g16.( f32) | g8 r r e16.(\fz f32) f16\p r g r a r a, r |
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%6
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<f a>4\f d'8.. d32 e8-. g-. r4 | c,!4 c'8.. c32 bf16 \rep 7 <g bf>-.\ff | \rep 8 <g bf>-. \rep 4 ef'\fz \rep 4 a, |
|
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\rep 4 bf \rep 4 g g r f r cs r d r |
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%10
|
|
a8 cs d4( e8) cs d4( | e8) r d,4 ( c8) cs d4( |
|
|
e8 ) \rep 3 a-. a2\fermata |
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\mark A
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c16-.\p( c-. c-. c-.) (c-. c-. c-. c-.) \rep 8 c |
|
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\rep 16 c
|
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\rep 8 c16\f \rep 6 df f f |
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|
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%16
|
|
f8-. e-. r4 d8\p( c) r4 |
|
|
bf8-.\f a-. r4 r2 | r8 g'4\p( f8 d4) r4 |
|
|
f4( e f) r |
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|
|
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%21
|
|
\rep 8 c16\f c8-. c-. r4 |
|
|
bf4 r e,( g8 bf) | a8\f c4\fz f8 g g4\fz a8 |
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%24
|
|
bf8 g4\fz f8 bf, r c r | f4 r r2 |
|
|
\rep 8 af,16\p af8-.\f af8-. r4 |
|
|
\rep 6 ef'16\p f f \rep 8 df16 | \rep 8 ef16 \rep 8 df16 |
|
|
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%29
|
|
\rep 8 ef16 d!16 \rep 7 d16 |
|
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\rep 8 ef16 \rep 8 f16 | \rep 8 e16 \rep 4 f16 \rep 4 d16 |
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%32
|
|
\rep 8 d16\f e8 cs8 d4( | e8) cs8 d4( e8) r8 d,4( | e8) cs d4( e8) a-. a-. a-. | a1\fermata |
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\mark B
|
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%36
|
|
<f a>4\f \fig d' e8 g8 r4 | a,4 \fig cs' d8 d, r4 |
|
|
r1 | a2\p( g4) r4 | d8( e16 f g8 gs) a4 r4
|
|
\rep 4 a16-.\fz a-. e'-. f-. g-. f-.\fz \rep 3 d-. d-. a'-. g-. f-. |
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|
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%42
|
|
\rep 2 { \rep 4 ef\fz } d4 r4 | d4\p r e8-. f-. r4 |
|
|
a,8-.\f a-. r4 bf4\p r8 g | f4\fermata r8\fermata r8 \rep 8 fs'16\p | \rep 8 g16 g2:16 |
|
|
f8 r r4 r4 r8 \fgg e,( f) |
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%48
|
|
f8 r r \fgg fs( g) g8 r a r |
|
|
d,\f a'4\fz a8 g8 e'4\fz f8 | g8 e4\fz d8 g, r a r |
|
|
r8 \fgg g'(\p f) \autoBeamOff f8-. \autoBeamOn \fgg e( d) \autoBeamOff d8-. \autoBeamOn \fgg bf( a) \autoBeamOff a8-. \autoBeamOn \fgg g( f) |
|
|
f8-.\pp( f8-. f8-. f8-.) f2\fermata
|
|
\bar "|."
|
|
|
|
\pageBreak
|
|
}
|
|
|
|
scoreAViola_sonataI = \relative c'' {
|
|
\sonataI
|
|
% Muziek volgt hier.
|
|
\relative c' {
|
|
R2.^"1"
|
|
}
|
|
}
|
|
|
|
|
|
scoreACello_introduzione = \relative c {
|
|
\introduzione
|
|
% Muziek volgt hier.
|
|
\relative c {
|
|
d4\ff \fig d' e8 e, r4 | a,4 \fig cs' d8 d, r4 | r8 d( bf f g gs a4) | bf r8 \fgg g'( f) f8 r8 r4 |
|
|
|
|
%5
|
|
r4 r8 \fgg g\fz( f) f16-.\p r g-. r a-. r a,-. r | d4\f \fig d' e8 e, r4 |
|
|
|
|
%7
|
|
c! c'8.. c32 bf!4 r16\ff g,-. bf-. d-. |
|
|
\rep 8 g \rep 8 g\fz |
|
|
|
|
%9
|
|
\rep 8 g g16-. r f-. r cs-. r d-. r | \rep 8 a' a2:16 |
|
|
%11
|
|
a16 \rep 7 a, a2:16 |
|
|
\rep 4 a8-. a2\fermata
|
|
|
|
\mark A
|
|
f4\p r4 r8 fs'8( g e) | c r e r f f,-. a-. c-. | \rep 16 f16\f |
|
|
f8-. e-. r4 r2 |
|
|
|
|
%17
|
|
bf'8-.\f a-. r4 r8 af8\p( g f) | r8 e( f) f,-. bf4 r4 | c2( d4) r4 |
|
|
|
|
\rep 8 e16\f f8 f, r4 | bf4\p r c2 | \rep 8 f16\f f2:16 | \rep 8 f16 bf,8 r8 c r |
|
|
|
|
%24
|
|
f,4 r4 r2 | \rep 8 df'16\p ef8-.\f c-. r4 | \rep 8 c'16\p df8 r8 r4 |
|
|
\compressMMRests { R1*4 } |
|
|
\rep 8 bf,16\f \rep 8 a |
|
|
|
|
%32
|
|
\rep 4 a a4:16 a2:16 | \rep 8 a16 \rep 4 a8-. a1\fermata |
|
|
|
|
\mark B
|
|
d4\f \fig d' e8 e, r4 | a,4 \fig cs' d8 d,8 r4 |
|
|
r8 d\p( bf f) g bf'( a e) |
|
|
|
|
%38
|
|
r8 ef( d a) bf( a g a) | bf2( a4) r |
|
|
\rep 4 a'16-.\f a-. g-. f-. e-. \rep 6 d-.\fz e-. f-. |
|
|
\rep 4 g\fz \rep 4 a\fz bf4\fz r |
|
|
g4\p r g8-. f-. r4 | cs8-.\f d r4 g,\p( a) |
|
|
|
|
%44
|
|
bf4\fermata r8\fermata r8 r2 | R1^"1" |
|
|
r2 r4 r8 e16.\p( f32) f8-. r r fs16.( g32) g8-. r a-. r |
|
|
\rep 4 d,16\f d4:16 d2:16 | d2:16 g8 r a r | \rep 4 d,16\p d4:16 d2:16 | d8-.(\pp d-. d-. d-.) d2\fermata
|
|
|
|
\bar "|."
|
|
\pageBreak
|
|
}
|
|
}
|
|
|
|
scoreACello_sonataI = \relative c'' {
|
|
\sonataI
|
|
% Muziek volgt hier.
|
|
\relative c' {
|
|
R2.^"1"
|
|
}
|
|
}
|
|
|
|
|
|
% Violin I score of all pieces
|
|
|
|
|
|
\bookpart {
|
|
\makeHdr \piece_introduzione \scriptum_introduzione
|
|
\makeScoreVI \scoreAViolinI_introduzione
|
|
}
|
|
|
|
\bookpart {
|
|
\makeHdr \piece_sonataI \scriptum_sonataI
|
|
\makeScoreVI \scoreAViolinI_sonataI
|
|
}
|
|
|
|
% Violin II score of all pieces
|
|
\bookpart {
|
|
\makeHdr \piece_introduzione \scriptum_introduzione
|
|
\makeScoreVII \scoreAViolinII_introduzione
|
|
}
|
|
|
|
|
|
\bookpart {
|
|
\makeHdr \piece_sonataI \scriptum_sonataI
|
|
\makeScoreVII \scoreAViolinII_sonataI
|
|
}
|
|
|
|
|
|
% Viola score of all pieces
|
|
\bookpart {
|
|
\makeHdr \piece_introduzione \scriptum_introduzione
|
|
\makeScoreVa \scoreAViola_introduzione
|
|
}
|
|
|
|
% Cello score of all pieces
|
|
\bookpart {
|
|
\makeHdr \piece_introduzione \scriptum_introduzione
|
|
\makeScoreCl \scoreACello_introduzione
|
|
}
|
|
|
|
|
|
% Full score all pieces
|
|
\bookpart {
|
|
\makeHdr \piece_introduzione \scriptum_introduzione
|
|
\makeScoreFull \scoreAViolinI_introduzione \scoreAViolinII_introduzione \scoreAViola_introduzione \scoreACello_introduzione
|
|
}
|
|
|
|
\bookpart {
|
|
\makeHdr \piece_sonataI \scriptum_sonataI
|
|
\makeScoreFull \scoreAViolinI_sonataI \scoreAViolinII_sonataI \scoreAViola_sonataI \scoreACello_sonataI
|
|
}
|